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Aasmani rang hai, aasmani ankhon ka
Aankhon mein udne do…
Strains of this melancholic tune played in her mind as she sat huddled on a bench in the little station at Mussoorie. This had been her home till a year ago when she left for Mumbai to join a prestigious financial firm as the risk analyst of a new project.
Beside her lay an earthen pot containing holy remains of her dead father.
Sadness filled her to the brim, and when she could not contain any more within herself it overflowed from her eyes.
Tears were magical things, she often thought.
When grief managed to wring out every ounce of happiness from your heart and stripped you of your faith in God, you are forced to believe that you deserve every bit of it.
The pain of this realization is so bitter that it transforms blood flowing through your body into water.
Aasmani rang hai, aasmani ankhon ka
Aankhon mein udne do…
Eyes like the sky have the colour of the sky
Let me soar in these eyes….
That was another time, at another place.
On those evenings, when the Electricity Board’s load shedding routine interrupted her home work she would wander out to the balcony to find her dad on the rocking chair humming Bhupinder’s songs.
She would silently rest her head on his lap and he would stroke her head.
Dad had missed Ma every day till he died. He would sing this to her, wishing fervently that she came back. She never did. So he joined her.
Tears came streaming down her eyes.
**************************************************************
Abhishek put his pen down. He had finished drafting the first chapter of his new script. He read it through. It was full of sadness and despair, just as he wanted it to be.
He had arranged for appointments with Aparna Sen and Honey Irani in the coming weeks. Aparna Sen had not made any movies since ‘My Japanese Wife’ and was on the look-out for interesting scripts. Abhishek felt adrenaline rise up his spine. He would have to finish the story somehow.
Like everybody else in his profession Abhishek wanted to be known for the scripts he wrote, but his secret desire was to be filthily rich. He believed that there could be no better time than now. Sadly, the competition for better scripts had also increased over the years.
The audience didn’t want to watch the same run of the mill, family drama or a story of the street rat with a golden heart. India was finally getting ready to accept the reality.
Musing thus, Abhishek sipped on his tea and lighted another cigarette, his 3rd for the day. The busy coffee house on the famous college street in Kolkata was where Abhishek had found most of his stories. He continued writing his story.
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And then she was turned down when she had asked for help.
‘The strong always help the weak. Amongst the two of us you were the strong one.
I have always depended on you for everything. How can I help you?’ he had answered.
‘But you are the only friend I have got. You can’t just move on, just because you have got a new bike, a new job.’ She complained out of desperation.
‘Chum. Never expect anything from anybody. That way you will always be happy’.
‘I can’t believe that you are saying this. After all that I have done for you.’ She spat out angrily.
‘I didn’t ask you to help me did I?’ he retorted lightly.
‘The truth is that I have been very useful to you’, she had replied back sadly.
Then she had hung up the phone. Not any more. She resolved firmly, holding back those tears stinging her eyes.
Slightly stooping over with her elbows resting on her knees, she waited on that scantily populated platform for her train which would take her back to Mumbai.
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A few years back, a movie about a dignified, educated, young girl making it successful completely on her own would have been shunned by the audience as a off stream cinema, commonly called ‘art’ films.
Nowadays off-beat scripts were being well received by the audience. Movies like Khoya Khoya Chand and Hazaaron Khwaishen aisi were proof.
And with glamorous mainstream actresses like Bipasha Basu and Kareena Kapoor signing movies like Corporate and Jab We Met, the industry needed scripts which were close to life, more than ever now.
Abhishek would have Nagesh Kukunoor direct this script, if he was given a choice. He was impressed by Nagesh’s ‘Teen Deewarein’ and ‘Iqbal’ but the film which completely won his heart was ‘Dor’. Nagesh, Abhishek felt, would be able to show on screen exactly what he wanted to convey, instead of highlighting unnecessary avenues and hilarious possibilities of the story.
In any case, this time he was not going to approach mainstream directors to ruin his story by turning it into a meaningless, silly potboiler where the tumultuous heroine mid way would realize that she was actually in love with her friend and the friend would definitely be the hero who would soon realize something similar. The story would unfold with the characters wallowing in self pity trapping the audience into the greatest myth of all: To love means to depend on someone else for everything.
Abhishek had always mocked at this idea. As if one could love, like one could eat, walk or sleep.
His reverie was broken into by his ringing mobile.
‘Bolo (tell)’ he answered back.
He neatly arranged the papers into his file while speaking with Onnesha, his brand new wife of a month.
He slung his cloth bag and rose to leave. ‘Aare haaan baba…bhulbona, dhone paata, shorshe, tomato aar chaal…’(Ya…I won’t forget, coriander leaves, mustard, tomatoes and rice...).
He would have to think about a name soon for his heroine, a name that would symbolize courage, patience and character. Maybe Onn would have some suggestions.
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Far away at the station in Mussorie, Indrani distracted herself by thinking about her favourite author, Ruskin Bond.
‘He must have been here so many times.’ She thought fondly. ‘None of the publishers felt that his stories were of any value. His mother ran away leaving his loving father.’ ‘Yet he wrote stories which endeared him to all.’
‘Surely you are in a better position than that, what say? ‘she consoled herself.
’Don’t worry, you too will go places’ she wiped her tears and rose to buy a newspaper from the book stall nearby.
‘Ankhon mein udne do...’ she hummed.





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